It’s so depressing. No, I didn’t bawl nor cried my eyes out, not even shed a tear. But the movie left me with a very heavy load in my heart. The title alone--“Christmas in August.”--is suggestive of somebody dying (think Sweet November, Autumn in New York, Autumn in My Heart...) and very early in the movie, we already see Jung-won (played by Han Suk Gyu, who looks like a cross between Willie Nep and Mr. Calisura) on regular check-up at a hospital. His exact condition wasn’t specifically stated, and I can only surmise it’s some brain or CNS pathology because of the mention of an MRI. But his eventual death was clearly established. We knew from the start that he was dying.
And Jung-won knew that he was dying. He was actually preparing for it. One of the saddest scenes from the movie was when he was leaving notes for his technologically-challenged father on how to operate the VCR. He also went out with old friends for the last time, and he even took his own memorial picture.
But Darim (Shim Eun Ha) didn’t know that Jung-won was dying. And she fell in love with him. There he was, confronting his own mortality, waiting for the inevitable to come and take him, when suddenly, love takes hold of him first. And I guess, for someone who is about to die, finding love is one of the most unexpected things to happen. An ironic, bittersweet surprise. (“Love moves in mysterious ways...”, but NOT the Nina version!) But Jung-won decided to take the plunge, and fell in, *heart* first. As Director Hur Jin Ho said in one interview: Christmas in August--stripped of important detail that the guy was dying--was a movie about falling in love.
So Jung-won and Darim carried on with their relationship, doing what two people in love normally do: go out on dates, stroll with their arms linked, hang out with each other a lot, etc. He tried to lead a normal life as possible, and his last days on earth were happy and lived to the fullest. He kept his illness a secret from Darim, however, and when he was very near death, he disappeared from her world without a trace. That scene where he was watching her from the coffee shop window, silently bidding farewell, letting her go, yet continuing to love her, was very heartbreaking.
Phoebe (my best friend and Korean mentor) and I initially thought that Darim never found out that Jung-won died. That he just left her hanging, wondering if what they had was real... which is very cruel. So our desire for a better ending (not necessarily happy with Jung-won dying and all, and it would be utterly absurd if he lives), but less tragic, more absolving, led us to believe that Darim eventually found out about Jung-won's condition. He left behind a boxful of letters and pictures, which was found either by the sister (which Phoebe thinks) or the father (which is what I think... coz Jung-won entrusted the photo shop to his father, also leaving written instructions on how to operate the developing machine). We only have Darim’s photograph on the shop’s window as evidence for this, but we believe that the letters in the same box were mailed to her. This is what Phoebe and I want to believe. Either that, or we’re just nagbubulagbulagan (copyright@Ender’s Girl). Peace out! 
Jung-won spared Darim the pain of having to deal with his death, but erased whatever doubts she had about their relationship. He affirmed that what they shared, even if it lasted only for a short time, was real and special.
“Christmas in August” is a very good movie. I like it! But it’s not something I could easily share with other people, i.e. “Watch it. It’s good.” Because:
1. IT'S SAD.
2. It’s not visually attractive. I’m not saying the cinematography sucks. It actually won Best Cinematography (among other awards) in the 1998 Korean Film Awards. But there are no pretty flowers, gentle raindrops, snow, or lush greenery as in the season dramas. Rather, the scenes are of common everyday life. Yes, it’s pretty dreary, but in a good way coz it adds to the atmosphere of the movie. I like how the passing cars cast moving lights on Jung-won‘s dim little studio. Even the characters are ordinary people--a photographer, a lady cop... It’s more realistic, with the lead not being the heir apparent to some large company. There are no twisted family relations, no evil stepmom, nor pushover dad (just a techno-phobic one!).
3. There are a lot of slow and silent scenes that not a lot of people would appreciate. Asian films, not just Korean films, are generally slower and quieter than their Western counterparts (remakes?). Hollywood-produced films are replete with exciting action sequences, loud sounds, special effects, and they practically spell out everything for you. Asian films, on the other hand, are more subdued, rife with raw feeling, and a lot of times “nothing happens”, i.e. character looks pensively into space, and the only sounds we hear are his breathing and occasional sighing (he’s not even thinking out loud/talking to himself!) and this can go on for several seconds. I remember watching Kurosawa’s “Kagemusha” and “Dreams” in high school and they bored me (chikahan na lang kame nina Dawn and Marma sa likod about “colors”. hehe!
); Phoebe also admitted she wasn’t paying attention then. A classmate who saw “Il Mare” commented on how “mashadong tahimik at mabagal” the movie was. Yet, Phoebe, Lexi, Maffy and I love “Il Mare”! I have yet to see “Kagemusha” and “Dreams” again, but I guess, I am more appreciative now of the “slowness” and “quietness” and “nothing happen-ness” of Asian films. Been surfing the Korean wave for several months now, and my taste for Western movies is underdeveloped lately, owing to my lack tof time to watch movies (in the cinema) and the high prices of movie tickets!
But I digress. Sorry.
“Christmas in August” is Hur Jin Ho's directorial debut, and for a first film, it is very well-crafted (and HJH won a Best Director award for it!). Likewise, Han Suk Gyu and Shim Eun Ha's portrayal of their respective roles was effective, restrained, yet resonating. SEH won the Best Actress award for her performance as Darim.
“Christmas in August” is sad, but without trying to be manipulative. It is about falling in love without the frills. It focuses more on the little things--shared ice cream, a lazy afternoon nap, a walk in the rain under a common umbrella--that when come together, form the bigger picture of life.